AN EMPHERICAL REVIEW ON FEMINIST APPROACHES IN SHAKESPEARE’S COMEDIES
RAJKUMAR ADAK
English
Janurary 2024
For a variety of reasons, men and women have admired William Shakespeare's comedies from 1564 to 1616 for centuries. Shakespeare's comedies were a staple of the entertainment industry when he was alive, but over time, attitudes toward criticism have changed significantly. In recent years, Shakespearean comedies are still enjoyable, but they are also at the centre of provocative critical practice and are an essential component of curricula for schools, colleges, and universities. The main purpose for which the plays were created was theatre production. The market and mode of production expanded; plays were produced on film, radio, and television in addition to the stage. There have been several dramatic and non-dramatic adaptations of the comedy. Continuous critical works have evaluated the comedy side by side from a variety of perspectives. In this article, an empherical review on feminist approaches in Shakespeare’s comedies has been discussed
© Airo Journals 2021
